Comparing Themes of Lord of the Flies, The Inheritors, and Pincher Martin :: comparison compare contrast essays

Themes of Lord of the Flies, The Inheritors, and Pincher Martin A running theme in William Goldings works is that man is peasant at heart, always ultimately relapse back to an villainy and primitive nature. The cycle of mans rise to power, or righteousness, and his fateful fall from grace is an important point that Golding proves again and again in many of his works, often comparing man with characters from the Bible to give a more vivid picture of his descent. Golding symbolizes this fall in incompatible manners, ranging from the interpreter of the mentality of actual primitive man to the reflections of a corrupt laborer in purgatory. William Goldings first book, Lord of the Flies, is the story of a group of boys of different backgrounds who are marooned on an unknown island when their plane crashes. As the boys prove to organize and formulate a plan to get rescued, they begin to break apart and as a result of the dissension a band of savage tribal hunters is formed. Eventually the stranded boys in Lord of the Flies close to entirely shake off civilized behavior (Riley 1 119). When the murkiness finally leads to a manhunt for Ralph, the reader realizes that despite the strong sense of British character and civility that has been instilled in the youth throughout their lives, the boys have backpedaled and shown the implicit in(p) savage side existent in all humans. Golding senses that institutions and order compel from without are temporary, but mans irrationality and urge for destruction are suffer (Riley 1 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well-conditioned school boys ordure ultimately wind up committing various extreme travesties, one can imagine what adults, leaders of society, are capable of doing under the pressures of trying to wield world relations. Lord of the Fliess apprehension of evil is such that it touches the nerve of coetaneous horror as no english novel of its time has do it takes us, through symbolism, into a world of active, proliferating evil which is seen, one feels, as the internal condition of man and which is bound to remind the reader of the vilest manifestations of Nazi retroversion (Riley 1 120).